This website showcases graffiti photos from Scotland (especially Glasgow and Edinburgh graffiti), and anywhere else I can get to. So far that includes Amsterdam, Barcelona, Berlin, Bristol, Brussels, London, Lyon, Marseille, Paris, Seville and Warsaw. There are also photos other people have sent in, including graffiti from Holland, Canada, Australia and more. I also put some other photos that aren't related to graffiti on here occasionally.

The 20 most recent photos:

Duro CIA book

Posted on 19 May 9:58 AM
Old-school New York graffiti writer Duro CIA TOP is publishing his memoirs, "Cause I am who I say I am, the news breaker himself!"

Foreword By Henry Chalfant

DURO, TOP, CIA

"One of the pleasures that I had during the time I was documenting graffiti was hearing the stories. The history of graffiti during the years it flourished on the trains of New York, is rich in tales of adventure, mishaps, close calls, outfoxing the cops and, yes, beef.As an outside observer, who never shared the writers' experience more than once or twice when I joined them in their exploits to take pictures, I knew that I would never be able to tell it as well as they could, thosewho were living it and for whom it was both an adventure and a creative act.We had different roles.Writers were creating, wanting fame and recognition, competing to get up and show their skills while I was engaged in amassing as many fresh documents as I could.I would listen to their stories, and watch them in action, but I had no way of experiencing the full sensation, the excitement, desire, ambition, fear, jealousy, hostility, schadenfreude, pride and sense of accomplishment. I could relay all this, but I always felt we were waiting for someone to come along who could tell the story from the inside; someone who had the verbal skill and storytelling knack to convey their experience to others.Now, thirty or forty years later, this has begun to happen, as artists in their maturity are beginning to reflect upon their youthful selves as graffiti writers.They now have hindsight and enough knowledge of the world to be able to put their youthful games into a social context that they couldn't have understood before.Duro's memoir promises to be an important document that will share with the public the part he played in creating a culture which has had an impact upon the world that few could have imagined in it's heyday. Duro's story is another brick in the history wall.

Duro was a member of TOP, along with Dondi, Mickey 729, Hurst, Sid, Flin, Dike, Sain, Jee 2 and others, all friends living in East New York, Brooklyn.Like the South Bronx, East New York was another marginal New York neighborhood that was ablaze in the 1970s.The South Bronx was familiar territory for me.I had a map in by head from my many wanderings through the borough and I felt relatively secure there.East New York, on the other hand was like the wild land beyond the map, the terra incognito.It was, frankly, scary and I rarely visited it. Members of TOP were the first writers from Brooklyn that I met.They were important pioneers who came out of their neighborhood to write on the number lines to make their mark, and to hook up with their uptown and Bronx counterparts in order to write together, forming CIA with Crash, Kel, Mare, Shy and others, thus using the giant network of track that made up the New York subway system to the fullest advantage.This was the meaning of going "all city".

These graffiti Artists transformed the 600 miles of track, the hundreds of dilapidated, rusty rattletraps that passed for New York's public transportation into a gigantic social networking system.Young people growing up in marginal, crumbling neighborhoods, trapped by bad schools and lack of funds to participate in the mainstream economy of goods and information, found an ingenious way to assert themselves by visibly imposing their names on the city.I believe it's no accident that this invention took place in the media and advertising capital of the world.In an environment that subjects people to a barrage of imagery, enticements and demands for attention, graffiti writers found their own way to put themselves "in your face".It's a first rate example of taking something built for one purpose and using it for another, transforming a public transportation system into a media network and a voice for people who had no other available means to get their message out.Consider the effect of this power upon a disadvantaged youth living in East New York where the streets were dangerous and the turf of gangs, a youth whose social connections were limited by poverty, shyness and the embarrassment of limited English language skills, and you have an idea of the potential explosion of artistic expression once he found his voice anda canvas that would reach so many others. The resulting book is a kind of cross between Down These Mean Streets and The Horse's Mouth -one, the story of a kid growing up and surviving in East New York and the other an artist who stopped at nothing to do what he had to do to make art.

Duro’s story is one of survival and it describes events familiar to so many youths in similar circumstances. He lost his friends, Dondi, Shy and Kist and was caught up in a tragic vortex of drug addiction, crime and prison.He experienced a whole array of social pathologies and in the end, after hitting bottom, he began the grueling journey back.Born again in more ways than one, he was able to put his life back together, and return to his life as an artist.A graduate of the first media network of the New York City transit system, he has joined the big network in the “cloud”, the internet, where he has found another, wider community and once again found his voice."

More information here and read excerpts here. Add your comments

Google AdSense

Posted on 27 May 7:34 AM

I've had a little Google AdSense ad on some pages on the site for a while. For a period I made a little money from it (not enough to cover my hosting costs though), but for a long time I haven't made anything from it. Yesterday I got this email from them:

Hello,

During a recent review of your account we found that you are currently
displaying Google ads in a manner that is not compliant with our program
policies
(https://www.google.com/support/adsense/bin/answer.py?answer=48182&stc=aspe-1pp-en).

--------------------------------------------------
EXAMPLE PAGE:
http://www.duncancumming.co.uk/forum/thread.cfm?TID=2952&StartRow=241

Please note that this URL is an example and that the same violations may
exist on other pages of this website or other sites in your network.

VIOLATION(S) FOUND:

ADULT/EXPLICIT TEXT: As stated in our program policies, AdSense publishers
are not permitted to place Google ads on pages with adult or mature
content, including sexually explicit text. More information about this
policy can be found in our help center
(https://www.google.com/adsense/support/bin/answer.py?hl=en&answer=105957).

COMMENT SPAM: As stated in our program policies, AdSense publishers may
not display Google ads on pages with adult or mature content. While we
understand that it may be challenging to monitor user-generated content,
such as comments, on your site, we require publishers to check that the
webpages containing their ad code complies with our program policies. More
information about this policy can be found in our help center
(https://www.google.com/adsense/support/bin/answer.py?hl=en&answer=116000).

So I guess that's that. The forum and comments underneath photos are full of both 'ADULT TEXT' and probably 'COMMENT SPAM' too. So I'll just have to remove the ads from the site completely. Can't say they'll be missed by anyone, least of all me.

Add your comments

London update - Shiz

Posted on 03 Jan 4:45 PM
It's been a long while since I updated this website, so I thought it was about time. The latest update is 20 photos all by Shiz, a London based graffiti writer. All these photos were taken by me in 2010. Almost every week I see a new piece by this guy. If you want to check out more, visit his website, http://shizartist.com.

Also, there was a change I made back in May 2010 that probably prevented anyone from adding new comments. This has now been fixed! Also I've made a couple other very minor amendments around the site; you probably won't notice them, but if you encounter any problems, please let me know. Add your comments

Wordplay 8 - call for pics

Posted on 05 Dec 10:05 PM
Wordplay 8th issue - send pics

flicks@wordplaymagazine.com Add your comments

Scottish graffiti book - submissions wanted

Posted on 02 Sep 9:53 PM

Danny who used to run Shakewell is putting together a Scottish graffiti book, and he's looking for people who want to be in the book.

He's also looking for photos of bombing, trains, productions and burners, etc.

The book will hopefully be out for xmas and be in hardback a4.

People can send their photos to scottishgraffitibook@hotmail.co.uk (only Scottish graff though!)

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Featured Book:

New book by Tristan Manco, author of Stencil Graffiti. "Graffiti art is constantly changing. Fresh coats of paint and newly pasted posters appear overnight in cities across the world. New artists, new ideas and new tactics displace faded images in a perpetual process of renewal and metamorphosis. From Stockholm to Tokyo, Barcelona to Los Angeles, Melbourne to Milan, wall spaces are a breeding ground for graphic and typographic forms as artists unleash their daily creations. Current graffiti art is more reflective of the world around it. Using new materials and techniques, its innovators are creating an original language of forms and images infused with contemporary graphic design and illustration. Fluent in branding and graphic imagery, they have been replacing tags with more personal logos and shifting from typographic to iconographic forms of communication. Subverted signs, spontaneous drawings, powerful symbols and curious characters represent an unstoppable worldwide outdoor gallery of free art. Street Logos is an international celebration of these developments in 21st-century graffiti, an essential sourcebook for all art and design professionals and a delight to everyone excited by the vitality of the street. With 485 illustrations, 463 in colour."

Buy from Amazon

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